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Anton Kern
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Anton Kern or Körne (12 December 1709 - 8 June 1747) was a Bohemian-born painter; primarily of religious and historical scenes. Anton Kern @ Deutsche Biographie


Biography
Kern was born in Děčín, where his father Johannes was the town clerk. He was brought by his father to Dresden, where his artistic talents first came to the attention of Laurentio di Rossi, an artist of Venetian origin who was serving as a in Saxony, while Kern was attending the Jesuit school in . Rossi was sufficiently impressed to take him to his studio in and give him lessons.

In 1723, Rossi took him to Italy and secured him an apprenticeship with Giambattista Pittoni. He remained with Pittoni for seven years, although he also took lessons at various public and private schools. He returned to Bohemia in 1731, accompanied by Laurentio's brother, Ventura. Four years later, he was officially registered as a "Pictor" at the Faculty of Arts, Charles University in Prague.

Between 1734-1738 he worked in Prague and in the north Bohemia. His most important works of this period are: two altarpieces with and Saint Agata for Loreta Church in Prague, for Strahov Monastery, Saint John at Patmos for Cistercian abbey church in Osek, Michal Šroněk: Antonín Kern, in: HOROVÁ Anděla (ed.) Nová encyklopedie českého výtvarného umění, 1. díl A-M, Academia, Praha 1999, p. 346 and an enthroned , surrounded by St. Anthony, St. John of Nepomuk and St. Wenceslaus (National Gallery in Prague); this group of works shows the influence of Johann Christoph Lischka and .

In 1738, he was summoned to Dresden, where he received several commissions related to the wedding of Princess Maria Amalia and King Charles VII of Naples (later Charles III of Spain). Biography from the Biographisches Lexikon des Kaiserthums Oesterreich @ WikiSource, He made numerous sketches for altar and ceiling paintings at the court church that were never executed. That same year, Frederick Augustus II, the Elector of Saxony, presented him with a scholarship to study in Rome, where he may have worked with Francesco Trevisani. Upon his return in 1741, he was appointed a court painter. He died in Dresden.

In his last years, he turned to mythological subjects and developed stylistic elements that would later become part of the style. In 1747 he became ill, with an unknown ailment, and died the same day.

His older brother, Benedict (1704-c.1777), was also an artist and court painter in Saxony, who specialized in landscapes and restorations.


Further reading
  • Klára Garas (1969). Anton Kern (1710–1747). In: Kazimierz Michałowski, Jan Białostocki (eds.) (1969). Muzeum i twórca: Studia z historii sztuki i kultury ku czci Stanisława Lorentza. Warszawa: Państwowe Wydawnictwo naukowe. p. 65–89.
  • Alice Binion (1981). Anton Kern in Venice. Münchner Jahrbuch der bildenden Kunst 32: 182–206.


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